ALADDIN

Rajah (Jasmine’s protective pet Bengal tiger), Dalia (Nasim Pedrad as Jasmine’s loyal handmaiden and confidante) and Jasmine (Naomi Scott) outsmart the evil vizier.

ALADDIN

Film Review by Marlene Ardoin

If you need a break from all the tragedies going on, Will Smith’s Genie in “Aladdin,” not only grants you three wishes, but this film is overflowing with humor, beauty, wisdom and hope.

“Aladdin” reinforces the concept of female leadership in the character of Princess Jasmine (Naomi Scott), who wants women to have more of a voice in matters.

In this film, the evil vizier (Marwan Kenzari), is constantly reminding the princess that she needs to be silent.

When this story begins, both Jasmine and Aladdin are in a cultural prison, where every door is guarded.

What it addresses is the state of unfair privilege, or rather the question of equal privilege for all.

It is also about individual merit, where through right action, everyone should be able to move through the ranks, regardless of birth status.

In one scene, Aladdin (Mena Massoud) is told by a soldier that he is nothing.

Up until the time that Aladdin gets the lamp, his only friend is his monkey, but Aladdin is wise enough to ask the genie, what he would wish for, if given a wish.

Genie (Will Smith) instructs Aladdin (Mena Massoud) on how to make a good wish.

As the story progresses, Aladdin starts to realize his own potential and the gifts that he has to offer others.

Princess Jasmine is beautiful, but so is her courage and ideals.

Beauty is presented through the magnificence of the world, in the beauty of Jasmine’s tiger, in the dance scenes, in the discovery of love, and through friendships.

The use of live actors and actresses brings this fantasy to life, while still letting the filmgoer experience flights on a magic carpet.

The satisfying pleasure of this film is watching both Jasmine and Aladdin, not only find each other, but reach their full potential together.

Marwan Kenzari as Jafar, the evil vizier.

Cast:

  • Will Smith as Genie:
    A comedically eccentric and kindly jinn who has the power to grant three wishes to whoever possesses his magic lamp. Smith said that he was “terrified” while playing the character, but that “[he] found a lane that pays homage” to Robin Williams‘ performance in the original film, while still making the role “[his] own thing.”[10] Smith described the character as “both a trickster and a mentor,” who tries “to guide Aladdin to the truth of the greatness that’s already within him.”[1] Smith physically portrays the character when he is in the guise of a human, while his giant blue genie form is CGI, portrayed through motion-capture performance.[11][12]
  • Mena Massoud as Aladdin:
    An impoverished Agrabah thief and “street rat” who is smitten with the Sultan’s daughter. With the Genie’s help, he masquerades as Prince Ali Ababwa. Massoud said that Aladdin “sees a future for himself that’s greater than what’s been set out for him at the present moment. He doesn’t know exactly what it is or how he’s going to get there, but he knows it is out there,” and felt the character “[i]s very selfless and usually does things for other people, but as he falls in love he loses himself a little bit and starts to become someone that he’s not. But he’s a good person with good intentions and has good people surrounding him who lead him back to where he’s supposed to be.”[1]
  • Naomi Scott as Princess Jasmine:
    The Sultan’s daughter and the feisty princess of Agrabah who wants to have a say in how she lives her life. Scott said that the character “will be strong and have fun, but also get it wrong and be emotional. She’s a multidimensional woman, and she does not have to just be one thing. So in this movie, you see her go on such a roller coaster, as opposed to her one goal being to escape the loneliness of royalty and find a companion.” She further stated that Jasmine will try to find “the courage to speak out for her people,”[13] and said that “Jasmine wants to know what goes on in her kingdom and reconcile the distance that has been created, and Aladdin gives her the courage to do just that.”[1]
  • Marwan Kenzari as Jafar:
    A nefarious and deceptive sorcerer, the Grand vizier of Agrabah, and the Sultan’s chief advisor. Frustrated with the Sultan’s ways of ruling, he devises a plot to overthrow him as the ruler of Agrabah by acquiring the Genie’s lamp. Jafar’s backstory is explored in the film, which producer Jonathan Eirich felt would make the audience “understand why he’s so bad,” as “that’s what makes him such a good villain.”[1]
  • Navid Negahban as The Sultan:
    The wise and noble ruler of Agrabah who is eager to find a capable husband for his daughter Jasmine.
  • Nasim Pedrad as Dalia:
    Jasmine’s loyal handmaiden and confidante. Pedrad said that Dalia “[has] been by Jasmine’s side for years and really looks out for her.”
  • Billy Magnussen as Prince Anders:
    A suitor and potential husband for Jasmine from the kingdom of Skånland.[12][14]
  • Numan Acar as Hakim:
    The head of the palace guards who is loyal to the Sultan of Agrabah, as his father worked for the Sultan as a palace servant.
  • Jordan A. Nash as Omar:
    The Genie and Dalia’s son.
  • Taliyah Blair as Lian:
    The Genie and Dalia’s daughter.
  • Amir Boutrous as Jamal:
    A bread vendor whom Aladdin tricks to keep him from taking disguised Jasmine’s heirloom bracelet.

Voices

8/30/2019 # Aladdin

THE BOOMER FILMS: “Yesterday” & “Once Upon a Time in Hollywood” & “Echo in the Canyon”

Film Review by Marlene Ardoin

I’ve recently seen three films this summer, that I would classify as baby boomer films, “Yesterday”, “Once Upon A Time in Hollywood”, and “Echo In the Canyon”.

If you were not alive in the 1960’s, you may not get what these films are trying to say. Going a step further, if you did not live in California, or have never been to Los Angeles, San Francisco, or the United Kingdom, but were alive then, you also may not get what these films are trying to say.

Being a baby boomer is a frame of mind that is uniquely Los Angeles, California, where the Beatles cross-pollinated with a culture and a creative idea.

“Yesterday”             

Himesh Patel plays Jack Malik, who resurrects all the Beatles songs in “Yesterday.”

 The film “Yesterday” is the first film that set off the alarm for me, that I needed to have lived through the 1960’s to appreciate this film, which I did. In fact, I grew up in San Francisco, California.

If you were not alive during that time, you might not even recognize the aged John Lennon look alike, when he appears is in this film.

Robert Carlyle appears as the aging, uncanny look-alike of John Lennon.

There are many sides to being a baby boomer, the good, the bad and the ugly.

“Yesterday” shows us the good. In this film, the flower child era was a tender, loving one.

“Yesterday” expresses a heartfelt appreciation of the time and of what the Beatles contributed to the dialogue of that era.

The message was simple, “All You Need Is Love.”

Also, no one can really take the place of a John Lennon, even if they can sing just as well.

“Yesterday” poses the question, what if the Beatles and their music never existed? That would have changed the era a lot.

Just like if cigarettes never existed, or if Harry Potter never happened.

The point being made with “Yesterday” is that individual contributions to an era matter in good ways and in bad ways.

I loved the fact that the character of the roadie is even appreciated. Everyone in that time and place mattered.  Everyone had a gift to give and they were the perfect individuals to give it.

 

“Once Upon a Time in Hollywood”

“Once Upon A Time in Hollywood” features DiCaprio, 44, as Rick Dalton, an ageing, out-of-work actor, with Pitt, 55, playing his longtime stunt double named Cliff Booth, and director Quentin Tarantino riding shotgun.

 Then, I saw “Once upon A Time in Hollywood”, which depicts the ugly side of the era. I have to say that this is the only Tarantino film that I actually like. 

Tarantino has a unique memory of the Manson family murder of the very pregnant Sharon Tate, who was Roman Polanski’s wife.

He is pretty tough on the hippies, who had taken over a Hollywood property used for shooting westerns.

Tarantino destroys the image of the flower child, summer of love hippies, who in “Once”, come off as being opportunistic, crass and malevolent.

Both Brad Pitt and Leonardo DiCaprio are in perfect sync with each other as loyal buddies, who have been up and now down together.

But, baby boomers age well, just look at the Rolling Stones, who keep on rolling.

I want to claim the Stones as American, but no, like the Beatles, they came from the UK. Their band was formed in 1962 to present.

In “Once”, we get to know Sharon Tate extremely well. Shall I say, there is definite bias towards her self-preservation?

Having lived through the horrific events of her death, I found Tarantino’s version a psychedelic, flaming, cathartic comfort. Thank you for that.

In “Once”, Sharon Tate is not just some slab of meat that gets stabbed 15 times.

 

“Echo in the Canyon”

Fiona Apple and Jakob Dylan in “Echo in the Canyon” (Photo by Chad Elder)

 

Then, finally, I go see “Echo in the Canyon,” which is both the good and the bad of the baby boomer era.

The son of folk singer, Bob Dylan, Jakob Dylan, is the star and executive producer of this film.

 What is missing is footage of his father, Bob Dylan, whose career was from 1959 to present, and who was definitely a big part of the boomer era.

Had Bob Dylan been included, it would have filled out the protest side of the boomers.

In fact, the biggest boomer contribution was creating protest music.

Boomers had a lot on their plate to protest, they were anti-war for one.

But, they also protested for civil rights, women’s rights, and against constricted sexual roles.

“Echo” paints a romantic view of Los Angeles as the creative hub of the boomer music of the 60’s.

Los Angeles was a place where folk music and rock music got joined at the hip.

Musicians came together in that one place to flourish and create music together.

Musicians admired each other’s work and fed off of each other’s energy and creativity.

The Beatles’ confess that they were inspired by the Byrds, an American rock band formed in Los Angeles, California in 1964.

From 1965 onwards, the Beatles rose to prominence until their band broke up in 1970.

“Echo” makes the point that the music of this era played a big part in changing the world at that time.

 

Singer Jakob Dylan (Son of folk singer, Bob Dylan)

https://en.wikipedia.org/wiki/Jakob_Dylan

Baby Boomers: Born 1946 – 1964 wiki:

https://en.wikipedia.org/wiki/Baby_boomers

 

 

“Yesterday”

Joel Fry as roadie, Rocky, with Himesh Patel as Jack Malik.

Cast:

Directed by Danny Boyle
Produced by ·         Tim Bevan·         Eric Fellner

·         Bernie Bellew

·         Matthew James Wilkinson

·         Richard Curtis

·         Danny Boyle

Screenplay by Richard Curtis
Story by ·         Jack Barth·         Richard Curtis
Starring ·         Himesh Patel·         Lily James

·         Ed Sheeran

·         Kate McKinnon

Music by Daniel Pemberton
Cinematography Christopher Ross
Edited by Jon Harris
Production
company
·         Working Title Films·         Decibel Films
Distributed by Universal Pictures

 Wiki “Yesterday”:

https://en.wikipedia.org/wiki/Yesterday_(2019_film)

 

“Once Upon a Time in Hollywood”

Margot Robbie as Sharon Tate.

Cast

Director/writer Quentin Tarantino:

https://en.wikipedia.org/wiki/Quentin_Tarantino

Biography of Sharon Tate:

https://en.wikipedia.org/wiki/Sharon_Tate

Biography of Charles Manson:

https://en.wikipedia.org/wiki/Charles_Manson

 

“Echo in the Canyon”

Jakob Dylan (second from left) serves as host of “Echo in the Canyon,” a documentary about the 1960s Laurel Canyon music scene in LA.

Also pictured: Regina Spektor, Beck and Cat Power. (Greenwich Entertainment)

Echo in the Canyon” is a new documentary about the Laurel Canyon scene in the 1960s, framed around the rise of the Byrds, the Beach Boys, Buffalo Springfield, the Mamas And The Papas, and more. The film features rare archival footage and contemporary interviews with artists and musicians that were around at that time or were inspired by the music that came out of it.

Participating artists include the late Tom Petty (in his last filmed interview), Brian Wilson, Ringo Starr, Eric Clapton, Stephen Stills, David Crosby, Graham Nash, Roger McGuinn, Jackson Browne, Beck, Fiona Apple, Cat Power, Regina Spektor, Norah Jones, and more.

The film was directed by Andrew Slater and had its premiere at the Los Angeles Film Festival last year. It’ll be in theaters in Los Angeles on 5/24/19 and in New York on 5/31/19.

Watch the trailer below.

https://youtu.be/QRVFBQHBUls

8/5/2019 # the Boomer Films – “Yesterday” & “Once Upon a Time in Hollywood” & “Echo in the Canyon”